Monday, July 18, 2011

Working and Dying on the French Panama Canal Construction Project

Southern Explorations reports: It was exotic. It was exciting. It was lucrative. Young Frenchmen with a rosy view of destinations unknown, those with nothing better to do and those with nothing to lose, all signed on to France's next great adventure, the building of the Panama Canal. Even when word leaked back to France that one in five canal workers was dying, still they kept coming, young energetic Frenchmen, recent engineering graduates and workers, all in pursuit of the dream. Called gallant by their countrymen, the recruits kept arriving, swept away by a heady mix of patriotism, bravado and frontier excitement, presumably believing luck would spare them.

Though no accurate records exist, it is estimated that as many as 22,000 workers perished between 1881 when the project got underway and when it ended in defeat eight years later. Lucky were the few who drowned or died in a machinery accident. Most of the French workers, recruited primarily from the West Indies, succumbed to a much more excruciating fate, yellow fever or malaria.
A team of forty French engineers arrived first. They were joined by a team of about 200 workers from the immediate area, as well as Colombia (then called New Granada), Venezuela and Cuba, who began clearing the mostly rainforest vegetation to make way for the canal. By June, the number of technical personnel and workers had expanded four-fold. By the following year, the work force had doubled. By 1884, a third of the way into what was supposed to be a twelve-year project, the Canal employed a workforce of 19,000.

It didn't take long for new workers to size up the situation. Those who didn't immediately succumb to disease didn't stay long. Among the recruits was French painter Paul Gauguin who arrived with fellow-artist, Charles Laval. For Gauguin, working on the canal was part of a much larger dream, a quick way to finance his transition from the staid stockbroker profession to the uninhibited life of an artist. The two landed in Panama in April of 1887 at the start of the rainy season. Laval derived income through portrait commissions, while Gauguin began his stint as a laborer. He lasted only two weeks, just long enough to earn enough cash to build an art studio on nearby Isla Taboga and make plans for further adventures after his Panama tours were over. By June, the pair was off to their next destination, Martinique.

The punishing heat and humidity of Panama's long rainy seasons, exacerbated by the close living quarters of the workers, provided just the right conditions for annual epidemics of yellow fever and malaria. Six months into the initial season of work, the first wave of yellow fever hit. In 1883, 1,300 died of disease, ten percent of the work force. From then on, some 20% succumbed each year.
Yellow fever kills quickly after an agonizing few days of flu-like symptoms and a brief remission before the symptoms worsen, causing the sufferer to vomit blood before developing heart and central nervous problems prior to death. Malaria has similar symptoms that are milder but more lethal. The rising death toll gave the French canal project the nickname "White Man's Graveyard" (though many more people of color perished) and de Lesseps the moniker, "The Great Undertaker."

To deal with the outbreaks of illness, the French built two hospitals, one in the port city of Colon on the Caribbean side of the isthmus and one at Ancon near the Pacific. For those who survived the ordeal, a fifty-room “retreat” was established built on Isla Taboga where workers could rest and recuperate.

Although some French nationals are buried in the French Cemetery at Paraiso on the Pacific side of the canal, it is mostly the foreign workforce whose final resting place is here. After the opening of the canal, the cemetery was abandoned to make way for housing but has recently been restored. Each white cross represents a thousand men who gave their lives, not for a cause they necessarily embraced, but for a wage higher than they could earn in their native lands.

All five of the Southern Explorations Panama tours visit the Panama Canal. On visits of the capital, some Panama tours include a stop at the French Cemetery, a silent monument to the nameless who changed history. (Source Southern Explorations)

India Women’s Squad for 2011 William Jones Basketball Tournament in Chinese Taipei



The roster of 12 women who will represent India at The 33rd William Jones International Basketball Tournament, which will be held in Chinese Taipei, has been released by Women’s coach Pete Gaudet and the Basketball Federation of India (BFI). The Women’s tournament, in which India is participating, will be held at the Taipei Gymnasium from July 31 – August 4.

Gaudet, who has been in training with the women’s probables at the Indira Gandhi Stadium in New Delhi for the past month will get a chance to see his team play their first competitive games under him at this international competition.

Indian team for William Jones Basketball Tournament

  • Prashanti Singh
  • Geethu Anna Jose
  • P. Anitha
  • Akanksha Singh
  • Raspreet Sidhu
  • M. Pushpa
  • Shireen Limaye
  • S. Kokila
  • Harjeet Kaur
  • Bharti Netam
  • Smruthi RK
  • Kruthika Lakshman

    Head Coach: Pete Gaudet

    Sonika Ohlyan and Asha Hegde have been selected as stand-by.

    The William Jones Cup is an international basketball tournament held annually in Taipei, Taiwan. It was named after Renato William Jones, a basketball promoter and one of the founders of the International Basketball Federation (FIBA).

    India will play in the round-robin tournament with the four other women’s teams who have confirmed participation in this year’s tournament: Japan, China, Korea, and Taiwan World University Games (WUG) team.

    Schedule

    July 31
    16:00 Taiwan WUG-India
    18:00 Opening ceremony
    18:30 China-Japan

    Aug. 1
    17:00 Korea-Taiwan WUG
    19:00 India-China

    Aug. 2
    17:00 Taiwan WUG-Japan
    19:00 Korea-India

    Aug. 3
    17:00 Japan-Korea
    19:00 China-Taiwan WUG

    Aug. 4
    17:00 India-Japan
    19:00 Korea-China
    21:00 Closing ceremony
  • Sunday, July 17, 2011

    Panama Canal

    From Reuters, "Panama Canal's Black Builders Await Due Credit," by Tim Gaynor: Panama City (Reuters) - In the year when the United States is to cede control of the Panama Canal to Panama, the waterway's governing body has named a tugboat for its longest serving and most reliable employee.
    Tugboat Cecil F. Haynes on the Panama Canal

    But for Cecil Haynes, 86, a soft-spoken Panamanian of West Indian descent, it is more than just a personal tribute. It is long-awaited recognition of the role played by black labor in the canal's history.

    "West Indians made a very valuable contribution to the canal," he said, sitting in the offices where he has worked since joining the commission in 1928. "But we never got the credit we deserved."

    Between 1904 and the canal's completion on the eve of the First World War, more than 25,000 West Indians heeded U.S. President Theodore Roosevelt's call to "make the dirt fly."

    As the Dec. 31 transition to Panamanian control looms, Haynes hopes the thousands of black workers who labored to build the canal will finally be honored alongside its white engineers.

    Panamanian West Indian Museum

    Housed in a one-room former colonial church in Panama City's rundown Calidonia district, the Panamanian West Indian Museum has championed the memory of the canal's black work force since the museum opened in 1981.

    "The Americans were known for their engineering skill," said Melva Lowe Goodin, the museum's president. "But it was the West Indians who gave the sweat and the blood."

    Black Labor On A White Canal


    For the black workers from Barbados, Jamaica and Martinique who made up two-thirds of the canal's labor force, the work was hard, dangerous and indifferently paid.

    "My father came here in 1904 to dig the ditch. Back then it was just jungle and mosquitoes," Haynes recalled with a smile.

    White employees of the Canal Commission were given comfortable housing, while many black workers lived in railway boxcars or shacks in the forests bordering the work site.

    In the early years, malaria and yellow fever were rife and accidents were frequent. Records at the wooden museum show that of 5,600 employees killed by disease and accidents between 1904 and the project's completion 10 years later, 4,500 were black.


    Particularly hazardous were the vast excavations at Culebra Cut, a 9-mile(5.6-km)-long navigation channel blasted through the cordillera, the range that divides Panama, with dynamite.

    Work crews were vulnerable to landslides as they dug the unstable slopes of the cut and accidents with dynamite were common. An explosion in 1908 killed 23 workers and injured 40.


    With tragic irony, an action by the Canal Commission intended to improve public health put workers in even greater danger from landslides and explosions.

    "Many workers went deaf as a side effect of the heavy doses of quinine they were required to take to treat malaria," Lowe Goodin said. "They just didn't hear the shouted warnings to get out of the way."

    Canal Zone Caste SystemMore than seven decades after drawing his first paycheck, Haynes recalls the two-tier pay system that led to segregation of white and black workers in the U.S.-controlled Canal Zone.

    "While white workers were paid on the gold roll, in U.S. dollars, we were all paid on the silver roll in local currency," he said.

    Silver roll employees had to drink at separate drinking fountains and stand at different lines in the post office under what one observer called the "Canal Zone caste system."
    The Canal Zone, a 10-mile(16-km)-wide security strip the length of the waterway, was run under U.S. federal laws, with its own court system and police force, until it reverted to Panamanian control in 1979.

    "You couldn't go into gold roll shops," Haynes said. "And after working hours you couldn't be seen in the zone. You would be arrested for loitering or trespassing."

    Black workers were classed as "helpers" although they might be qualified in a range of canal-related trades and were paid at half the rate of white co-workers.


    American Experience The Panama Canal

    Watch the full episode. See more American Experience.

    DÉJALO IR (LET IT GO)

    DÉJALO IR

    Happy Birthday!

    Pirate Justice

    Although most pirates had served on the middle passage and thus had been a part of the slave trade, the pirates displayed remarkably little of the racial prejudice that was being developed at that time in order to justify the trade. Whilst pirates were known to take, and sell on, slave cargos, black former slaves made up a considerable portion of pirate crews (over 40% of Blackbeard's crew were black). Pirates would often describe themselves as Maroons, copying the name adopted by the escaped Jamaican slave gangs. On one occasion, Marcus relates, the captain found himself handed back control of his slave ship only after the pirates had released all the chains and provided the slaves with a knife each. That the captain and his 'cargo' would be able to discuss their respective situations on a more equal basis would have appealed to the pirates' sense of justice.

    It was the threat that the pirates made upon the profits of the slave trade that determined their fate. The seaboard coasts of both Africa and the Americas were swamped with navy ships; the pirates were hunted down and hanged by the dozen. The pirates themselves responded to state terror with a terror of their own. More merchantmen were burnt; towns that hanged pirates were blockaded. The pirates themselves declared "No surrender" and vowed to blow themselves and their ships to kingdom come rather than be captured. But the writing was on the wall, and the dwindling bands of pirates either dispersed or died fighting, or upon the scaffold.

    These pirates who, facing a world full of horror and brutality, rebelled and challenged the conventions of class, race and gender. Laughing in the face of authority as they laughed in the face of death, their rebellion created an alternative to the dour hypocrisy of our 'betters', which has given hope and inspiration for over 300 years. (source: Libcom.org)

    True Caribbean Pirates: Documentary

    Long ago scores of real pirates plied their brutal trade in the temperate waters of the Caribbean Ocean. In the 1600s and 1700s, Captain Henry Morgan, Blackbeard, Calico Jack Rackham, Ann Bonny, Mary Read, and Black Bart were among the infamous pirates whose crews lied in wait to violently raid the merchant ships of various nations.

    This documentary tells the true stories of who they were, how they operated, and their various successes and failures in this dark and deadly profession, going far beyond popular legend.

    THE HISTORY CHANNEL, using CGI animations, expert interviews, as well as archival imagery, explores the real-life stories behind piracy's Golden Age and the dramatic maritime exploits of the TRUE CARIBBEAN PIRATES.


    True Caribbean Pirates: Documentary